Friday, February 26, 2010

The Ambiguity Central to Do The Right Thing

I'm currently taking American Popular Cinema since the 1970s and it's a wonderful course. Many of the films that are on the syllabus are ones that I have seen, ones that I love, and ones that I am so incredibly happy to write essays about and to deconstruct in lecture. And while I have enjoyed studying films such as The Godfather, Breakfast Club, Thelma and Lousie, and Halloween in an intensely academic way, I knew that I would feel differently (not negatively) about Do The Right Thing.
Even though Spike Lee's film was made in 1989, it is just as relevant and just as contentious today as it was then and my lecture proved that. Most of my class sympathized with Sal and therefore viewed the film as one that incites and encourages violence. Conversely, I sympathized with the African-American characters and therefore I felt the opposite. I say 'therefore' because who you sympathize with in the film determines how and what you think of the ending and the film as a whole.
In my opinion, Do The Right Thing does not incite or encourage violence and those who think it does are taking the film in an extremely literal sense. When the Black community destroys Sal's Pizzeria after Radio Raheem's death, they are destroying an oppressive idea. Sal's Famous Pizzeria is representative of the exploitation of African-American neighbourhoods and I think while this is subtle, it is something that unravels throughout the course of the film.
For instance, the fact that Sal does not comply or even consider Buggin Out's demand to put African-American leaders/celebrities on the Wall of Fame demonstrates my aforementioned point. Buggin Out makes a very valid point in saying that since the Black community funds the pizzeria, there should be some sort of representation of clientele. Sal's absolute refusal illustrates his inability to acknowledge anything productive or great from the people he takes money from on a daily basis.
That Sal never once leaves his pizzeria signifies his lack of interaction with the community. He only puts up with Mookie's horrible work habits because as a delivery boy, he takes away that necessity. Sal's only interactions with the community are business-oriented and somewhat condescending. He does not want to get to know the people of the community, he does not want to help in advancing the state of Bedford-Stuyvesant - he only uses the Black community to his economic advantage. In other words, Sal is capitalizing off of a poor Black neighbourhood.
Consequently, I can completely understand the community's frustration and anger at the end of the film. Police brutality is what killed Radio Raheem, yes. But it was Sal's inability to represent his clientele, his disgust of hip-hop (an aspect of African-American culture) and his inherent racism that caused the events that caused the police to arrive. Meaning, that it was the exploitation and capitalization of the Black community that catalyzed the police brutality. So the community makes an attempt to destroy the exploitation and capitalism.
They [the community] have seen and been through enough that pacifism and passivity seem to be synonymous concepts and they feel as if it is time to take action. It is time to do things a different way, a more militant way, a more reactive way. And there is absolutely nothing wrong with that.
So I indeed will end with a Malcolm X quote:
"I don't favor violence. If we could bring about recognition and respect of our people by peaceful means, well and good. Everybody would like to reach his objectives peacefully. But I'm also a realist. The only people in this country who are asked to be nonviolent are Black people."

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